Ryan Killackey, who passed away at 46 on October 4th, was a dedicated advocate for the natural world, with a particular focus on the Amazon rainforest and its Indigenous communities.His passion for nature led him from wildlife biology in North America to the Ecuadorian Amazon, where he became captivated by Yasuni National Park’s extraordinary biodiversity.In 2005, he moved to Ecuador and began documenting the Waorani people’s struggle against oil extraction in Yasuni, eventually resulting in his acclaimed documentary, Yasuni Man.Despite the limits of his advocacy, his film helped raise awareness, contributing to Ecuador’s 2023 decision to end oil drilling in Yasuni, a bittersweet victory during his final days.
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Ryan Killackey, who passed away on October 4, 2024 at the age of 46, was a tireless defender of the natural world, a voice for Indigenous peoples, and a documentarian who sought to bring the farthest reaches of our planet into the public eye. But his was no simple journey of exploration or adventure; it was a pursuit defined by hardship, loss, and a fierce dedication to preserving the natural world and its people.
Born in Homewood, Illinois, on April 24, 1978, Killackey’s path toward advocacy and activism was not linear. It began in the world of terrestrial wildlife biology, in which he earned his degree at the University of Montana in 2000. His early career saw him wading through cold freshwater lakes to study frogs, tracking and live trapping wolverines in rugged terrains, and working as a ranger in the Alaskan wilderness. But it was the allure of the Amazon that pulled him in an entirely new direction, where his passion for reptiles and amphibians merged with a burgeoning interest in photography and film.
Osteocephalus vilmae. Image ©️Ryan P. Killackey.
By 2005, Killackey was living and working in the Ecuadorian Amazon, documenting the region’s unparalleled biodiversity and witnessing firsthand the environmental devastation wrought by oil extraction. What started as a job soon became a calling. The people he met, especially the Waorani tribe, known for their indomitable spirit and rich cultural traditions, struck a deep chord within him. The forest that surrounded them, Yasuni National Park, was no ordinary wilderness. It held records for biodiversity that were unmatched worldwide, containing more species of trees in a single hectare than the entirety of North America. Yet, this paradise was being threatened, not by any natural force but by the insatiable thirst for oil that lay below its surface.
The journey that began with an exploration soon turned into a seven-year odyssey to create Yasuni Man, Killackey’s first and only feature-length documentary. The film chronicled the struggle of the Waorani people to defend their ancestral lands from the encroaching forces of industry, weaving together the stories of families, shamans, and activists caught in the crossfire of geopolitics. It was no simple task, nor was it one without personal cost. Over those years, Killackey endured profound loss—the deaths of his brother, grandparents, and two close friends. He also fought a battle of his own against malignant melanoma, a struggle that left indelible scars but did not deter him.
He fought on because he had not accomplished his goal. In his words, Yasuni Man was more than a film; it was a plea for humanity to reevaluate its priorities, to recognize the cost of its consumption, and to acknowledge the people whose lives and lands were sacrificed in the pursuit of fossil fuels. Yet, even as his film traveled the world, garnering 35 official selections, 23 nominations, and 15 awards, including partnerships with the United Nations, the stark truth loomed large—Yasuni Man could not, by itself, halt the drills or the roads cutting through the forest. The oil continued to flow.
And yet, his work was not in vain. The Waorani’s resilience and Killackey’s dedication helped to cast a bright spotlight on Yasuni, illuminating it for the world. His documentary, which captured scenes of vibrant life and devastating loss, did not end when the credits rolled. The stories and images persisted, speaking to anyone who would listen. In August 2023, a referendum in Ecuador saw the people vote to end oil drilling in Yasuni—a victory which may be, in part, attributable to the visibility Yasuni Man brought to their cause.
The triumph was bittersweet for Killackey. He spoke in interviews of the Waorani not as subjects but as friends and family. “To me, the Waorani are like mythological figures,” he once said, “They kept outsiders away, defending their home with sheer courage.” Their survival, he hoped, would inspire the world to see the value in every acre of rainforest spared from the axe.
Killackey’s dream was to produce a sequel to Yasuni Man—to return after 12 years and witness what had changed. He wanted to capture not just the scars left behind but the healing, if there was to be any. Though he did not live to fulfill that dream, he made a final wish: that the footage and photos he left behind should live on beyond him, serving as both testament and tool for conservation efforts in the future.
Killackey’s passing leaves a void, not only for his family—his mother Patricia, siblings Michael and Carolyn, and countless friends around the globe—but also in the world he fought so fiercely to protect. His life’s work serves as a reminder that even when faced with overwhelming odds, there is value in bearing witness. For Killackey, the rainforest was not simply a subject for his lens; it was a living entity, breathing, enduring, and longing to be seen.
In the years to come, as Yasuni’s fate continues to unfold, one can only hope that his vision will guide others to preserve what remains. There is a kind of hope that emerges in the wake of despair, a belief that the seeds of change planted by those who came before can take root, grow, and, against all odds, flourish. Killackey planted many such seeds. Now, it is for the world to nurture them.
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Publish date : 2024-10-09 10:43:00
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