what the evolution of the superhero says about the US

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The first time comic fans saw Captain America, he was punching Adolf Hitler. It was 1940 and the image was the cover of the first volume of the Captain America Comics.

Now, 85 years later, many people know “Cap” best from his depiction in the Marvel Cinematic Universe (MCU). The first film to bring the character to the big screen was Captain America: The First Avenger, in 2011. The film establishes what is probably the best known iteration of Captain America, a mantle taken up by the second world war “super-soldier” Steve Rogers (Chris Evans).

Each iteration of Captain America correlates to the real US of their time. For Trump’s America, that iteration is played by Anthony Mackie. His MCU character, Sam Wilson, formerly known as Falcon, takes up the mantle in Avengers: Endgame (2019). Mackie now appears in his first standalone film in the role, Captain America: Brave New World.

But what do other MCU wielders of the shield reveal about their respective era of US history?

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Joe Simon and Jack Kirby, the creators of Captain America, conceived him explicitly as the antithesis to Hitler. By draping Steve Roger in stars and stripes and giving him the name Captain America, their superhero became the symbol of a nation.

With his origins in the second world war, the Steve Rogers iteration of Captain America is a fairly uncomplicated piece of propaganda, representing the righteousness of the US and its fight against Nazism. Captain America is the archetype of the nationalist superhero. He’s embodiment of the nation state and therefore represents and defends the ideal version of it.

However, as cultural geographer Jason Dittmer points out in his book Captain America and the Nationalist Superhero (2013), the state and the nation are not necessarily the same thing. The state is the governmental apparatus while the nation is the identity of its people.

Erskine explains why Rogers was chosen as a super-solder.

This difference is articulated, to an extent, in Captain America: The First Avenger (2011). The creator of the super-soldier serum, Abraham Erskine (Stanley Tucci) explains that the weak, sickly Rogers was chosen to become the first super-soldier because he understands the value of power. Having never had it, Erskine argues, he would not be corrupted by it. Rogers is not a perfect soldier, but he is a good man and that is more important.

If we map this onto the US, the implication is that America as a nation is fundamentally good and just, and therefore separate from any potentially problematic policies set by America the state.

As Rogers’ arc progresses across successive movies, the character becomes increasingly disillusioned with state power and control. His relationship with his own identity as Captain America fluctuates, with his ambivalence often symbolised by his either giving up or reclaiming the shield.

Enter Sam Wilson

In one of the closing scenes of Avengers: Endgame (2019), an aged Steve Rogers passes his shield to Sam Wilson (Anthony Mackie), the African-American superhero known as the Falcon.

In the world of the MCU, Captain America’s shield has never just been a shield – it is a symbol of heroism, of moral values and of “American-ness”. It can be read as a symbol of what America is, and what it could be.

Captain America: Brave New World is Anthony Mackie’s first standalone film in the role.

The legacy of Steve Rogers’ Captain America was explored in the TV show The Falcon and the Winter Soldier (2021). The series interrogated topics such as race, patriotism and American identity through the story arcs of two versions of Captain America: the Rogers-approved Wilson and the state-sponsored John Walker (Wyatt Russell). The series explores the concept of heroism and links it to questions of race.

In American Masculinities: A Historical Encyclopedia (2003), associate professor of American studies Holly Allen argues that: “The basis of American notions of both heroism and manliness has been a tension between virtuous devotion to a higher cause and the quest for personal achievement.”

This tension is palpably played out in the narrative arc of Rogers and in some ways resolved across the course of his films. His personal achievement (thanks to the super-soldier serum) is put in service of a higher cause, first during the second world war, later with the Avengers and finally in passing the shield to Wilson.

The state-sponsored shield

Despite his disillusionment, Rogers is positioned as being the living embodiment of the American dream, rather than a tool of the state. The same cannot be said of Walker, the white, blond, blue-eyed, highly decorated soldier selected to be the next Captain America by the US government.

Rogers’ Captain America was conceived of to fight against and be ideologically opposed to fascism. But Walker’s short-lived tenure sees him – with the backing of the “Global Repatriation Council” – carrying out raids on safe houses and refuges. He angrily demands that the people he is brutalising show him respect purely because he is Captain America.

Walker becomes, effectively, the public face of the Global Repatriation Council. Armed with the shield and dubbed the new “Star Spangled Man”, he embodies a particularly American brand of aggressive insertion into global politics. This can be interpreted as a critique of the positioning of America as “the world’s policeman”.

Wilson’s speech in The Falcon and The Winter Soldier.

During the show, Walker’s murder of an unarmed dissident brings his stint as Captain America to an end. The shield, mantle and title of Captain America therefore return to Wilson, whose climatic speech in the series’ finale articulates the hostility and judgment he faces as a black man wearing the stars and stripes.

During the recent promotional tour for Brave New World, Mackie stated that Captain America was a man with “honour, dignity and integrity”, noting that these are virtues not currently embodied by America the state.

He added that while Cap represents many things, “America” as it currently is should not be one of them. It looks likely then that Wilson’s Captain will return the character to the ideal of the nation as it should be, rather than a tool of state propaganda and repression.

Unsurprisingly, Mackie has faced enormous backlash to his comments – despite them being almost identical to sentiments expressed by Evans in 2011. Whatever the future of the character in the MCU, ideas around heroism, patriotism and race will be central to the continuing evolution of Captain America.

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